剧情介绍
Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar). Keshav takes a liking to young Urvashi, and encourages her to explore her talents in films, which she does, and does gain popularity, starting as a singer, than accomplishing herself as an actress/singer. She decides to marry Keshav, only to be discouraged by her own mother, but she is strong-willed, and does marry him. She has a baby girl after the marriage, but feels stifled and oppressed with Keshav, and has affairs with her co-star Rajan (Anant Nag), a film producer, Sunil Verma (Naseeruddin Shah), but ends up dissatisfied. Then she meets wealthy Vinayak Kale (Amrish Puri), and decides to settle down with him, little knowing that he is already married to another woman, and also has a son. By the time she finds out it is too late, she has already been accepted in his household, and any woman, whether his own mother(Dina Pathak), his present handicapped wife, and even Urvashi have to follow the rules laid down - no women can leave the house under any circumstances, except after death.
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jin.
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2020年11月28日
失真
#PYIPP#DAY1。同样的导演却玩出了不同的风格,如果《籽苗》是小津式,那么《角色》则是费里尼与伯格曼,注重回忆与往事,虚幻与梦境,导演试图从记忆深处寻找男女关系之间矛盾的解…
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2020年12月27日
阿飞
#3rd PYIFF#回顾单元。很具备所谓「新浪潮」的视野,「角色」不仅仅是主角在生活中担当的角色:母亲、妻子、情人或是被公众审视的客体,而同样是一种对自身身份认同的象征。导演想拍的是这样一类人,他们不满足于现有社会角色的生活状态,不断通过各式各样的方法力求实现角色的转变,但很快又再一次沦为厌倦。这不是对于社会主体的一种常规的规训,频繁的角色转变带来的后果,只能是迷失在自我认知和探寻生活价值的旅途中。
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2020年12月27日

