剧情介绍
Volker Schl?ndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
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咖布藤
笑死我 大型Rap录影带
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2020年11月27日
胡無巧
法斯賓達主演,一個年輕,反社會禮教道德的詩人。全片以手提拍攝,演員皆醜,手法粗獷,以原劇作的對白推動。手法完熟自然。Baal及其愛人Ekart以其詩感生存於另一次元,其餘人物因事間或進入同一維度(如Johannes因女友自溺精神打擊,而得以進入詩域)。其精神在其詩白,得以窺見浪漫主義詩人意象。
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2020年11月27日
小易甫
等于没看。
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2020年12月27日