剧情介绍
Volker Schl?ndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
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石墙
施隆多夫居然拍出了一部完全以法斯宾德为中心的电影。更厉害的是,法斯宾德居然能用他那张小胖脸,诠释出浪荡不羁、男女通吃、颓废赴死的风流诗人,而且这种形象几乎贯穿了他整个银幕生涯。
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2020年12月27日
Swching
60
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2020年11月27日
熊仔俠
這個文藝[界刂]女肥佬詩人巴爾(太陽神、偶像)的可恨可憎程度跟《發條橙子》裡頭的Alex不分上下。怪不得可怕。某知名微博說這部片是「禁片」,難免讓人向政治層面浮想聯翩。但是說實在,也就這麼個樣:批判性道德和偶像崇拜。
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2020年12月27日