剧情介绍
After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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八二零
波兰电影,Piotr Szulkin导演,很喜欢长镜头中打在人脸上的光影,交织着欲和恶,“越是禁止的,越能吸引我”,结尾的,“只要我们能在一起”以及一家三口的背景,还有国际歌、欢乐颂,宗教禁欲和人性解放的挣扎,超现实的表现手法,女性在这里真的是冰与火~
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2020年12月27日
法厄同
食物的隐喻能邪恶得如此动人。 修女一定要吃鸡蛋吗?为什么不能反过来?
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2020年12月27日
華原朋美.
9.0- @Science-Fiction FCP with Cosmos.讲述主人公童年段落的运镜/打光/构图和表演都极为恣意狂放,忆及Has。
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2020年12月27日