剧情介绍
在高速發展的中國,像蘇這樣的流浪者的生存空間已經越來越小。在杭州一條正在建設的二十四號大街旁邊,蘇和情人琴開設了一家簡陋的餐館,但因為沒有經營許可證,他們和其他一些非法住戶總是受到政府的驅趕,處世不驚的蘇和琴在另外的地方又建立起一個自己的餐館,但不久又被政府拆除。蘇決定回到故鄉,那裡有著他曾經的家庭和兒女,同時也有著琴的家人。但是已經在外闖蕩了30多年的蘇,家人對他的到來並不歡迎。導演通常默默地觀察蘇和琴的歷險,但偶爾也會介入,當蘇開始有不道德的行為欺騙他人時0.24號大街有著豐富多彩的主人公,影片展現了現代化進程中中國的轉折,和那些追趕不上這個國家飛速發展腳步小人物的故事。
China doesn’t have a lot of room anymore for peddlers like Su. He set up a ramshackle restaurant next to a construction site on 24th street in Hangzhou, but of course he neglected to obtain a permit. Unsurprisingly, the authorities send him and the other illegal dwellers away. Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again. Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live. After being away for 30 years, the couple isn't exactly welcomed back with open arms. Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people. With its colorful main character, 24th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up.
China doesn’t have a lot of room anymore for peddlers like Su. He set up a ramshackle restaurant next to a construction site on 24th street in Hangzhou, but of course he neglected to obtain a permit. Unsurprisingly, the authorities send him and the other illegal dwellers away. Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again. Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live. After being away for 30 years, the couple isn't exactly welcomed back with open arms. Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people. With its colorful main character, 24th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up.
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iamface
最初樂觀隨遇而安依附地盆建築做小生意的流徙族,因應經濟改善城市急速發展而相應的規限越來越多,主角亦開始迷茫失措,富人越來越多城市開始變得沒低收入人士的容身之所,片中帶出很多現今中國的狀況及問題,克制而沒投入自身太多立場在內,作為紀錄片已算相當不錯
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2020年11月25日
杨浦小囡
有个观点我挺认可,人活着该吃吃该喝喝,开心过好每一天就行
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2020年12月27日
黑狗成
杭州的纪录片一直不多,如今其在国内的特殊之处也不是一两部拍得清楚的,混账如老苏,抛妻又弃犊,归乡成殊途,江湖入江湖,搏条活路,聊胜于无。ps维权电话打给市 委 书 记,大型幽默。
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2020年12月27日

