吕美特谈吕美特

吕美特谈吕美特

年份:2015

地区:美国

上映:2015-05-15(戛纳电影节)

评分:7.4 分

播放:112 次

更新:2018年10月14日

导演:南希·博斯基

编剧:

主演:西德尼·吕美特

分类:纪录片

In BY SIDNEY LUMET, film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008 produced by the late filmmaker Daniel Anker. With candor, humor and grace, Lumet reveals what matters to him as an artist and as a human being. The documentary film features clips from Lumet's films - 44 films made in 50 years - including 12 ANGRY MEN (1957), THE FUGITIVE KIND (1960), SERPICO (1973), DOG DAY AFTERNOON (1975), THE VERDICT (1982), to name only a very few. Filmmaker Nancy Buirski (Afternoon of a Faun, The Loving Story) combines these elements to create a portrait of the work and life of one of the most accomplished and influential directors in the history of cinema. BY SIDNEY LUMET illustrates the spiritual and ethical lessons at the core of his work. First and foremost a storyteller, Lumet's strongly moral tales capture the dilemmas and concerns of a society struggling with essentials: how does one behave to others and to oneself?
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托尼·王大拿

不太喜欢本片体例,但也是和其中心相符合的,从吕美特电影里常见的主题入手,听吕美特谈自己的人生经历和价值观念,更像是个人物访谈,想看轶事的会失望。

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十一月的雨

不像是《德帕尔玛》通篇都在谈作品,吕美特几乎都是在谈自己。一头一尾谈到的那个曾经被士兵轮奸的女孩,以及自己当时没有采取任何行动的事实,深刻影响了他此生作品的底色。所以他才说他所有作品的基石都是在探讨,什么是公平?或许也无需回答,正如他所言:当作品足够出色,道德观自然显现。

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Sabrina

艺术家根本就是个人主义的,跟军队所倡导的集体主义是天然的对立。所以文工团能出艺术家?扯远了。他是犹太人啊,麦肯锡是他的黑点,不过他也做了解释。让我想起了woody ellen。

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