剧情介绍
Piazza Vittorio is the biggest square in Rome. Both the square and the adjacent districts of the Esquiline stand out for the multiethnic variety of their inhabitants. Here, in fact, we find a range of ethnic groups from nearby and far away: Romans, Asians, North Africans and Indians who make the square and neighborhood a lively place but at the same time one that is not easy to manage. Precisely because of its unique and colorful nature, many artists and other figures with ties to the world of cinema, like Matteo Garrone and Willem Dafoe, have chosen to make it their home. Among them is the great director Abel Ferrara, who has decided to portray this world from his own independent and poetic point of view, putting himself physically on the line in the production of the film. Out of this has come a surreal and neorealist picture of a day in the square’s life, with interviews with illegal and legal immigrants, tramps, artists, proprietors of businesses and politicians who give their personal accounts of the place. It is the portrait not just of a square, but of an Italy that is changing and that is trying at all costs to go down the road of integration, often underestimating the side effects.
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酒莫空
关于罗马移民的纪录片,一定程度展现了种族熔炉中的众生相,也让种种有趣的现象和面临的问题展现在了眼前。不过总感觉过于随意,没有用一个清晰的逻辑串起来,也没有把现象进行总结和升华;而且大量镜头有些糙,不知道导演是不是有意而为之
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2020年11月25日
麻辣牛肉宽粉
很1般 给意大利语加星 听着太舒服了
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2020年11月25日
seabisuit
比罗西的罗马环城高速观赏性强但不如海上火焰有很强烈的导演本土难民观点和形式感,费拉拉拍街头的感觉赋予更多博爱的人文信息,几次出镜也表明交流的进退关系,广场的历史影像让地点更立体。这种全球城市的趋势到底好还是坏,威廉达福的短暂定居也证明不了的糟糕,中国女戏精移民的毛情结高亮。资料馆
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2020年12月27日

