剧情介绍
The creator of a number of acclaimed documentary shorts, Ken Wardrop has been feted as one of Ireland's most promising filmmaking talents. His distinctive first feature, shot through with charm and humour, has a deceptively simple conceit that manages to deliver an honest and revealing insight into life in the country. Inspired by the story of his mother's life, Wardrop presents interviews with women from across the midlands of Ireland. Starting with some in their nappies and ending in a nursing home, the women of gradually increasing ages welcome viewers into their own homes, and from these living rooms, kitchens and hallways, they talk about their experiences, about their relationships and attitudes towards men. These daughters, wives and mammies are, by turns, frank, funny, gracious, perceptive and moving, and collectively, the interviews form the narrative of life, from cradle to grave, in an inventive and original way. Wardrop's gift for observation is impeccable; each scene is beautifully composed, the women and the interiors all intriguingly framed through a static camera lens.
Michael Hayden
Michael Hayden
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宝珞
在平淡中找到乐趣,从深沉中看出悲伤,洞悉生活的真谛。 影片开头说:“男人——爱情人最深、爱妻子最切、爱母亲最久”。是爱尔兰的古老谚语。而影片最后一位叙述者说,“我不能依靠他们,他们都有自己的生活和家庭”……
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2020年11月25日
向阳花
整洁的家居,优雅的取景,呈现出精神生活的富足。人物在宁静的画面空间里娓娓道来,与《灰色花园》截然相反的内心情境。结尾处男性老人的出现,点亮了一扇扇为女性开启的门。
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2020年12月27日
Claudia
创意不错,就是有些平淡,没有达到预期的效果。
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2020年12月27日