剧情介绍
Docummentary about director Jean-Luc Godard and Anna Karina
In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"
In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"
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far
豆瓣标记的第1300部电影,正好是一个读到Amichai这首诗的夏季雨夜:While we were together/we were like a useful pair of scissors./After we parted we again/became two sharp knives/stuck in the world's flesh/each one in his own place. 正像被影像纪录下的特定时空里的Karina和Godard。虽有PPT讲义/DV小论文之嫌,还是值得一看。
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2020年11月25日
冰红深蓝
新浪潮时期高达简史,基本上把戈达尔1965年之前的作品串了一遍,尤其重点分析他和卡里娜合作的六部。形式拍得也很戈达尔,御用摄影师库塔尔的访谈干货较多。戈达尔没剧本被外界误认为即兴拍摄;对摄影师提的要求是“这镜头我不想怎么拍”,而非明确机位和构图。卡里娜说,她不会说他的坏话。(8.0/10)
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2020年12月27日
杂技演员
为什么你的双眼总是戴着墨镜,因为你毕生将琐碎的世间过滤为一切纯粹的影像
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2020年11月25日

